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“Google Blogger” has re-organized its ‘pagination structure’ recently. Henceforth, only 12 “recent posts/eBooks” would be shown in the ‘Home Page’. To VIEW and CHECK all the “eBooks” in the /Library/, kindly “CHECK” the “eBooks Archive” on the top-right 'side-bar' of the ‘Home Page’. All the “eBooks LINKS” are assorted and classified there. Kindly “CHECK” the ‘tab’ – “Tags, Labels, Topics, Subjects” – too ~

/Library of Babel/



/Library of Babel/ {in the process of "being built"}


A Digital or Virtual LIBRARY comprising of Free "eBooks" ~ Articles ~ Discussions ~ Posts ~ Links ~ Photos ~ Videos about "AUTEUR" Films ~ FICTION ~ Poetry ~ Arts & Literature ~ Theatre ~ Philosophy ~ Psychology ~ Music ~ Science ~ Culture



This 'Blog' is dedicated to my Eternal Lover & Mentor ~ "Jorge Luis Borges"

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Library.Babel

Tuesday, March 23, 2010

In praise of the “smell of books”…



/BORGES’ LIBRARY OF BABEL/ Satheesh Balachandran: I don’t want to dismiss a person’s love for the feel of paper, the smell of paper, or even the look of a book…

In praise of the “smell of books”…

Have you been avoiding “e-books” because they just don’t smell? If you’ve been hesitant to jump on the ‘e-book bandwagon’, you’re not alone. Book lovers everywhere have resisted ‘digital books’ because they still don’t compare to the experience of reading a good old fashioned paper book.

The thing I remember most: The smell of library books. I can’t identify the particulars of the smell of library books. It’s not just the smell of the paper they’re printed on, it’s more than that. It’s the smell of page-turn sweat, infused painstakingly in each page of a thriller novel, the spilled ingredients hastily swabbed off the pages of a recipe book, the oil embedded in the binding of “Zen and the Art of Motorcycle Maintenance”, by the guy who threw the book across his garage, when he realized it didn’t contain instructions on how to fix his Yamaha two-stroke engine. It’s the smell of people who care about learning something new.

Smells like Literary Spirit

Some people reckon sniffing books is a bit of a fishy fetish. But I scent a sweeter story, bound up with books' power to enchant. Does this get up your nose, too?

There I was, reading On Opera by the late philosopher Bernard Williams, and I was suddenly transported back to my childhood. How so? Because of the way it smelled. I must have subconsciously caught a whiff, which led me to put the open book right up to my nose and breathe in deeply. Cue the mental equivalent of a cheesy dissolve in a cheap TV drama: suddenly I'm nine years old again. And somehow the odour links to a very specific set of books: Susan Cooper's magnificent The Dark Is Rising series. (Kids these days who have to make do with Harry Potter don't know they're born.) How to describe why one book smells nicer than another? I could burble on about the Williams book's hints of musk, fresh grass, and topnotes of vanilla, but you can see that I'd never make it as a wine writer.

But maybe there is a secret community of book-sniffers out there who know what I mean. Scientists are always telling us that the olfactory sense is more important than we think: There is a theory, for example, that we choose a long-term sexual partner based in large part on odour, and we like someone's smell if their immune system is complementary to our own, so that offspring will get the best protection possible. Different kinds of books have characteristic smells, too, from the no-nonsense, almost newspapery tang of cheap paper and ink of a paperback thriller, to the high-class, sweet-polish aroma of the glossy coffee-table book.

Sometimes, on the other hand, a brand-new book will just smell nasty: almost mouldy, or pungently of glue, or like school chemistry lab. As my experience showed, what wafts from the pages can be just as powerful a time-travel machine as Proust's madeleine. And there's another possibility, too. If smell can influence our romantic choices, might it also influence our critical faculties? As a reviewer, might I subconsciously write more kindly about books whose smell I prefer? I fear I can't rule it out. Could publishers employ parfumiers to give their books a commercial fillip? Perhaps they secretly do already...

Of course, writing about this sort of thing marks you out in some quarters as a luddite, labouring under some kind of irrational, fetishistic attraction to the book-as-object which must be jettisoned in the exciting digital age. New media guru Jeff Jarvis thinks so, anyway: "And let's deal with that smell meme now: there is nothing in the smell of books that adds to learning and enjoyment. We associate that smell with reading the way we associate the smell of vinyl with a new car. I'll bet our children have the same association of wonder and enrichment with the sight of a white screen or the smell of a laptop overheating."

Well, maybe. Or maybe I'd be more convinced by Jarvis's writing if it smelled of fresh coffee. I was delighted to see, in fact, that someone has taken this subject seriously enough to write a book about it: Hans J. Rindisbacher's "The Smell of Books: A Cultural-Historical Study of Olfactory Perception in Literature". I do hope the University of Michigan Press did him the honour of making sure it smells really nice.

~ Steven Poole

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Borges and His Fiction: A Guide to His Mind and Art ~ Gene H. Bell-Villada

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Collected Fictions ~ Borges

Labyrinths ~ Borges

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What is /Library of Babel/ {in the process of "being built"} ?


A Digital or Virtual LIBRARY comprising of Free "eBooks" ~ Articles ~ Discussions ~ Posts ~ Links ~ Photos ~ Videos about "AUTEUR" Films ~ FICTION ~ Poetry ~ Arts & Literature ~ Theatre ~ Philosophy ~ Psychology ~ Music ~ Science ~ Culture etc.

Library.Babel
Interests: Schizophrenia, Metaphysics, Existentialism, Autism... Andrzej Tarkovsky... Ingmar Bergman... Fyodor Dostoevsky, Franz Kafka, Jorge Luis Borges, Milan Kundera... M.D. Ramanathan, Kumar Gandharva... J.S. Bach, Wagner...

/Library of Babel/ {in the process of "being built"}

~ The {Title} is taken from Borges' {The Library at Babel} ~

Borges' "The Library at Babel" is a story that encompasses a world. The world that is a library, a library that is a universe broken into endless hexagons connected by stairs and hallways. It's unlike any library that has ever existed, a library of the mind, a virtual library, and as such the source of imaginative illustration. I've encountered pictures of its hexagonal galleries and infinite air shafts on Web Sites, and recently the story was re-published in hardcover with engravings by Erik Desmazieres, who gave the Library's interior a spooky look that I associate with the interiors of Ridley Scott's 1979 science-fiction. Many, of course, would choose to interpret the story in a more philosophical manner. Certainly a case can be made to see the story as a parable about man's search for God, or man's essential ignorance of the world, or of the chaos of the universe. While I acknowledge the story's visual and philosophical qualities, it has a personal connection. It evokes what I would call the large-library experience. Borges' nameless librarian, an administrator of some minor sort - if the library is infinite, all administrators are minor - recollects, "Like all men of the library, I have traveled in my youth, I have wandered in search of a book." Reading this, I think of my own rambles through stacks and shelves both as a student and an unattached "scholar." I've wandered through libraries looking for or just at books, feeling their collective weight, reading titles, puzzling at the cipher of numbers and letters by which they are classified. I have been lost in corridors of books like one drifting through the pinched streets of some foreign town, though indeed these rambles have taken part in and around my home. Books as realia have been part of this attraction. Strolling between shelves of bound volumes, I feel I'm pressed between the scales of some vast and dormant beast. Opened, each book presents a small bracket of hard space and distilled experience that, when joined in imagination with other books, create the sensation of time congealed. Books in vast quantities form a reality greater than the sum of their parts. Unlike museums, whether of science or art, that enfold me in a history of eras and schools and "movements," large libraries point beyond their realia. They go from the tangible to the intangible, from the temporal to the timeless, from the momentary to the eternal. Masses of books suggest the infinite. - Garrett Rowlan

/Library of Babel/ {in the process of "being built"} is dedicated to:

My Eternal Lover & Mentor ~
"Jorge Luis Borges"



/Library Ticket/



I've travelled the World twice over,

Met the famous: Saints and Sinners,

Poets and Artists, Kings and Queens,

Old stars and hopeful Beginners,

I've been where no-one's been before,

Learned secrets from Writers
and Cooks,

All with one "Library Ticket",

To the wonderful World of books.


- JANICE JAMES



The movement of atoms is eternal.


Thrown through the void,
either by their own weight
or by the impact of other atoms,
they wander
until chance brings them together.


Some of them manage to cling together;
they form the most solid bodies.


Others,
more mobile,
are separated by a greater distance;
they form the less dense bodies,
air and light.


Some did not wish to be admitted to any group;
they move around gloriously and endlessly in space,
like dust motes lit up by rays of light in a dark room.

[from Lucretius' De Rerum Natura, recited by Rousseau in La vallée close]



~ This seemingly simple poetry reminds us that every work of Art is relative to the Grand Time wherein it was sprout, and is to be judged thus. We won't/ might not hold a good opinion when we read and consider these lines now, after two decades of Stephen Hawking and 'A Brief History of Time'. This poem was written in First Century BC, by the Roman poet and philosopher Lucretius. Now, do we ought to re-think and re-consider our opinion? Epicurean Physics, atomism, the nature of the mind and soul, explanations of sensation and thought, the development of the world and its phenomena, a variety of celestial and terrestrial phenomena, arguments about God, Lucretius' Physics - everything is here, in these simple lines of poetry ~




Concept & Design:
Library.Babel