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/Library of Babel/ is FREE OPEN CONTENT. There aren't any "Restrictions" at all regarding the "Links". Anybody could "Download" any eBook from the /Library/. Anybody could "Download" all the eBooks from the /Library/.


“Google Blogger” has re-organized its ‘pagination structure’ recently. Henceforth, only 12 “recent posts/eBooks” would be shown in the ‘Home Page’. To VIEW and CHECK all the “eBooks” in the /Library/, kindly “CHECK” the “eBooks Archive” on the top-right 'side-bar' of the ‘Home Page’. All the “eBooks LINKS” are assorted and classified there. Kindly “CHECK” the ‘tab’ – “Tags, Labels, Topics, Subjects” – too ~

/Library of Babel/



/Library of Babel/ {in the process of "being built"}


A Digital or Virtual LIBRARY comprising of Free "eBooks" ~ Articles ~ Discussions ~ Posts ~ Links ~ Photos ~ Videos about "AUTEUR" Films ~ FICTION ~ Poetry ~ Arts & Literature ~ Theatre ~ Philosophy ~ Psychology ~ Music ~ Science ~ Culture



This 'Blog' is dedicated to my Eternal Lover & Mentor ~ "Jorge Luis Borges"

Concept & Design:
Library.Babel

Friday, May 28, 2010

“The Joke” ~ Milan Kundera


“The Joke” ~ Milan Kundera



Publisher: Harper Perennial; Publication Date: 1993-04-14



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All too often, this novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after, “The Joke” was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favour of valuing the book (and all Kundera’s work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of “human existence”.

The present edition presents English-language readers an important further means toward revaluation of “The Joke”. For reasons he describes in his Author’s Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel’s narrators. The result is nothing less than the restoration of a classic.

Monday, May 17, 2010

J.M. Coetzee ~ “Age of Iron”


J.M. Coetzee ~ “Age of Iron”



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~ Harsh, unflinching and powerful, Coetzee’s new novel is a cry of moral outrage at the legacy that apartheid has created in South Africa. In scenes of stunning ferocity, he depicts the unequal warfare waging between the two races, a conflict in which the balance of power is slowly shifting. An elderly woman's letters to her daughter in America make up the narrative. Near death from rapidly advancing cancer, Cape Town resident Mrs. Curren is a retired university professor and political liberal who has always considered herself a “good person” in deploring the government’s brutal policies, though she has been insulated from the barbarism they produce. When the teenage son of her housekeeper is murdered by the police and his activist friend is also shot by security forces, Mrs. Curren realizes that “now my eyes are open and I can never close them again.” The only person to whom she can communicate her anguished feelings of futility and waste is an alcoholic derelict whom she prevails on to be her messenger after her death, by mailing the packet of her letters to her daughter. In them she records the rising tide of militancy among young blacks; brave, defiant and vengeful, they are a generation whose hearts have turned to iron. His metaphors in service to a story that moves with the implacability of a nightmare, Coetzee’s own urgent message has never been so cogently delivered. ~

J.M. Coetzee ~ “Disgrace”


J.M. Coetzee ~ “Disgrace”



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~ David Lurie is hardly the hero of his own life, or anyone else’s. At 52, the protagonist of “Disgrace” is at the end of his professional and romantic game, and seems to be deliberately courting disaster. Long a professor of modern languages at Cape Town University College, he has recently been relegated to adjunct professor of communications at the same institution, now pointedly renamed Cape Technical University:



Although he devotes hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: “Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other.” His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.



Twice married and twice divorced, his magnetic looks on the wane, David rather cruelly seduces one of his students, and his conduct unbecoming is soon uncovered. In his eighth novel, J.M. Coetzee might have been content to write a searching academic satire. But in “Disgrace” he is intent on much more, and his art is as uncompromising as his main character, though infinitely more complex. Refusing to play the public-repentance game, David gets himself fired - a final gesture of contempt. Now, he thinks, he will write something on Byron’s last years. Not empty, unread criticism, “prose measured by the yard,” but a libretto. To do so, he heads for the Eastern Cape and his daughter’s farm. In her mid-20s, Lucy has turned her back on city sophistications: with five hectares, she makes her living by growing flowers and produce and boarding dogs. “Nothing,” David thinks, “could be more simple.” But nothing, in fact, is more complicated - or, in the new South Africa, more dangerous. Far from being the refuge he has sought, little is safe in Salem. Just as David has settled into his temporary role as farm-worker and unenthusiastic animal-shelter volunteer, he and Lucy are attacked by three black men. Unable to protect his daughter, David’s disgrace is complete. Hers, however, is far worse.



There is much more to be explored in Coetzee’s painful novel, and few consolations. It would be easy to pick up on his title and view “Disgrace” as a complicated working-out of personal and political shame and responsibility. But the author is concerned with his country’s history, brutalities, and betrayals. Coetzee is also intent on what measure of soul and rights we allow animals. After the attack, David takes his role at the shelter more seriously, at last achieving an unlikely home and some measure of love. In Coetzee’s recent Princeton lectures, “The Lives of Animals”, an aging novelist tells her audience that the question that occupies all lab and zoo creatures is, “Where is home, and how do I get there?” David, though still all-powerful compared to those he helps dispose of, is equally trapped, equally lost.



Disgrace is almost willfully plain. Yet it possesses its own lean, heartbreaking lyricism, most of all in its descriptions of unwanted animals. At the start of the novel, David tells his student that poetry either speaks instantly to the reader, “a flash of revelation and a flash of response” - or not at all. Coetzee’s book speaks differently, its layers and sadnesses endlessly unfolding. ~

Sunday, May 16, 2010

“Modern Arabic Literature” ~ (The History of Arabic Literature)


“Modern Arabic Literature” ~ (The History of Arabic Literature)



~ By M.M. Badawi


Publisher: Cambridge University Press; Publication Date: 1993-01-29


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This volume of the “History of Arabic Literature” presents the first authoritative, comprehensive, critical survey of creative writing in Arabic from the mid-nineteenth century to the present day. The rise of secular education, printing and journalism created a new reading public, and Western ideas and literary forms, notably the novel, the short story, and drama, became influential. This book examines the attempts made by Arab men and women to adapt the imported forms as well as the indigenous literary tradition to meet the requirements of the modern world. Quoted material is given in English translation and there is an extensive bibliography.

“E. E. Cummings” (Bloom’s Major Poets)


“E. E. Cummings” (Bloom’s Major Poets)

By Harold Bloom

Publisher: Chelsea House Publications; Publication Date: 2003-05

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The myth of E.E. Cummings stressed isolation, the difficulty of love, and the realities of death. This volume includes extracts from critical essays that examine important themes in Cummings’ poetry. Studied works include “All in Green Went My Love Riding,” “Memorabilia,” “I Sing of Olaf, Glad and Gig,” “Somewhere I Have Never Traveled, Gladly Beyond,” and "My Father Moved Through Dooms of Love." This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg, Professor of English, New York University Graduate School. History’s greatest poets are covered in one series with expert analysis by Harold Bloom and other critics. These texts offer a wealth of information on the poets and their works.

Italo Calvino ~ “Cosmicomics”


Italo Calvino ~ “Cosmicomics”



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An enchanting series of stories about the evolution of the universe. Calvino makes characters out of mathematical formulae and simple cellular structures. They disport themselves amongst galaxies, experience the solidification of planets, move from aquatic to terrestrial existence, play games with hydrogen atoms - and have time for a love life.


Metaphysical conceits are a thing of the past. Now with moon shots and interstellar probes, a writer really in tune with his age has to think of scientific conceits, or better yet, treat mathematical formulate, or theories and equations from physics, as if they were “characters” gamboling about the universe, beaming and burping through the void, carrying on the most enlightened (though not necessarily enlightening) conversations: “ ‘Ahal’ I said. ‘Why don't we play at flying galaxies?’ ‘Galaxies?’ Pfwfp suddenly brightened with pleasure. ‘Suits me. But you…. you don’t have galaxy’ 'Yes, I do'…” Italo Calvino offers many similar exchanges, his tales being extraordinary and brilliant (if you like them; tiresome and thin, if you don’t) variations on the whole spectrum of evolutionary transformations, contractions, and expansions that have affected time and space since whatever your version of genesis happens to be. Calvino is a witty and fanciful fellow who enjoys linguistic pirouettes somewhat in the manner of Nabokov, but he lacks the latter’s commanding personality, and he relies too heavily on the pathetic fallacy (the illusion that external objects have human feelings), so we find his simple cellular creatures telling us “When I was a kid, the only playthings we had in the whole universe were the hydrogen atoms…” etc. For science fiction devotees, in any case, clearly the most sophisticated item yet from that genre.

Friday, May 14, 2010

“2666” ~ Roberto Bolano


“2666” ~ Roberto Bolano



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It was one thing to read Roberto Bolano’s novel “The Savage Detectives” and have your mind thrilled and expanded by a sexy, meandering masterpiece born whole into the English language. It was still another to read it and know, from the advance reports of Spanish readers, that Bolano’s true masterpiece was still to come. And here it is: “2666”, the 898-page novel he sprinted to finish before his early death in 2003, again showing Bolano’s mesmerizing ability to spin out tale after tale that balance on the edge between happy-go-lucky hilarity and creeping dread. But where the motion of “The Savage Detectives” is outward, expanding in wider and wider orbit to collect everything about our lonely world, “2666”, while every bit as omnivorous, ratchets relentlessly toward a dark center: the hundreds of mostly unsolved murders of women in the desert borderlands of maquiladoras and la migra in northern Mexico. He takes his time getting there – he tells three often charming book-length tales before arriving at the murders – but when he does, in a brutal and quietly strange landscape where neither David Lynch nor Cormac McCarthy’ Anton Chigurh would feel out of place, he writes with a horror that is both haunting and deeply humane.

“Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution” ~ By Peter Swirski


“Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution” ~ By Peter Swirski


Publisher: University of Texas; Publication Date: 2010-04-01



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In a new approach to inter-disciplinary literary theory, “Literature, Analytically Speaking” integrates literary studies with analytic aesthetics, girded by neo-Darwinian evolution. Scrutinizing narrative fiction through a lens of analytic philosophy, revered literary theorist Peter Swirski puts new life into literary theory while fashioning a set of practical guidelines for critics in the interpretive trenches.



Dismissing critical inquirers who deny intention its key role in the study of literary reception, Swirski extends the defense of intentionality to art and to human behaviour in general. In the process, Swirski takes stock of the recent work in evolutionary theory, arguing that the analysis of narrative truth may be grounded in the neo-Darwinian paradigm which forms the empirical backbone behind his analytic approach. “Literature, Analytically Speaking” presents a series of precepts designed to capture the ways in which we do interpret (and ought to interpret) works of literature. Reflecting a resounding shift from the post-structuralist paradigm, Swirski's lively and colorful presentation, backed up by a dazzling variety of examples and case studies, re-conceptualizes the aesthetics of literature and literary studies.

Thursday, May 13, 2010

“Arabic Poetry - Trajectories of Modernity and Tradition” ~ Muhsin J. al-Musawi



“Arabic Poetry - Trajectories of Modernity and Tradition” ~ Muhsin J. al-Musawi



Routledge / 2006 / 328 pp



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~ Buy this book if you are interested in: tracking Arab’s ‘dated’ history - 1914-2006; exploring the ‘un-datable’ in Middle Eastern Literary heritage - pre-570 up till today; appreciating the intersection of modernity with tradition or the ‘trajectories’ which, for example, the interface between T.S Eliot and al-Bayati has occasioned in modern Arab poetics. Don’t buy this book if you are not prepared to be tossed like a pendulum between the Eastern literary tradition and the huge repertoire of the Western critical patrimony. This book, which cites not less than 350 sources, covers over 300 pages and took its author not less than ten years to produce, is a sine qua non for teachers of Arabic literary criticism; it is a veritable companion for students of Arabic poetical heritage. In other words, unto those interested in how far off or on the track has Arabic poetry/poetics gone since the advent of modernity, I recommend this book. ~



~ Oladosu Afis

R. Victoria Arana, "The Facts On File Companion to World Poetry, 1900 to the Present"



R. Victoria Arana, "The Facts On File Companion to World Poetry, 1900 to the Present"



Facts on File | 2007-11-30 | 544 pages |

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“The Facts On File Companion to World Poetry, 1900 to the Present” is a comprehensive introduction to 20th and 21st-century world poets and their most famous, most distinctive, and most influential poems. Containing approximately 500 entries that span the globe and cover the most prominent writers from each continent and many of the world’s islands, this indispensable guide is the perfect companion to poetry courses. Appendixes include a general bibliography, a list of poets by geographic region, and a list of Nobel Prize Winners. Coverage includes: Poets, including Rainer Maria Rilke, Pablo Neruda, Leopold Senghor, Aime Cesaire, Derek Walcott, Anna Akhmatova, Rabindranath Tagore, Federico Garcia Lorca, Bei Dao, and many more; major poems, such as “The Poems of Dr. Zhivago”, “Sonnets to Orpheus”, and “Ode To Walt Whitman”; and important concepts and movements, such as field poetics and French rap.

The Oxford Book of American Detective Stories



The Oxford Book of American Detective Stories



Oxford | 704 Pages | 1996 |



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Edgar Allan Poe's "Murders in the Rue Morgue" launched the detective story in 1841. The genre began as a highbrow form of entertainment, a puzzle to be solved by a rational sifting of clues. In Britain, the stories became decidedly upper crust: the crime often committed in a world of manor homes and formal gardens, the blood on the Persian rug usually blue. But from the beginning, American writers worked important changes on Poe's basic formula, especially in language and locale. And with World War I, the Roaring '20s, the rise of organized crime and corrupt police with Prohibition, and the Great Depression, American detective fiction branched out in all directions, lead by writers such as Dashiell Hammett and Raymond Chandler, who brought crime out of the drawing room and into the "mean streets" where it actually occurred. In “The Oxford Book of American Detective Stories”, Tony Hillerman and Rosemary Herbert bring together thirty-four tales that illuminate both the evolution of crime fiction in the United States and America's unique contribution to this highly popular genre. Tracing its progress from elegant "locked room" mysteries, to the hard-boiled realism of the '30s and '40s, to the great range of styles seen today, this superb collection includes virtually all the great crime writers, including Erle Stanley Gardner, Raymond Chandler, Ross Macdonald, Rex Stout, Ellery Queen, Ed McBain, Sara Paretsky, Sue Grafton, and Hillerman himself. There are also many delightful surprises: Bret Harte, for instance, offers a Sherlockian pastiche with a hero named Hemlock Jones, and William Faulkner blends local color, authentic dialogue, and dark, twisted pride in "An Error in Chemistry." We meet a wide range of sleuths, from armchair-detective Nero Wolfe, to Richard Sale's journalist Daffy Dill, to Robert Leslie Bellem's wise-cracking Dan Turner, to Linda Barnes's six-foot, red-haired, taxi-driving female P.I., Carlotta Carlyle. And we sample a wide variety of styles, from tales with a strongly regional flavor, to hard-edged pulp fiction, to stories with a feminist perspective. Perhaps most important, the book offers a brilliant summation of America's signal contribution to crime fiction, highlighting the myriad ways in which we have reshaped this genre. The editors show how Raymond Chandler used crime, not as a puzzle to be solved, but as a spotlight with which he could illuminate the human condition; how Ed McBain, in "A Small Homicide," reveals a keen knowledge of police work as well as of the human sorrow which so often motivates crime; and how Ross Macdonald's Lew Archer solved crime not through blood stains and footprints, but through psychological insight into the damaged lives of the victim's family. And throughout, the editors provide highly knowledgeable introductions to each piece, written from the perspective of fellow writers and reflecting a life-long interest - not to say love - of this quintessentially American genre. American crime fiction is as varied and as democratic as America itself. Hillerman and Herbert bring us a goldmine of glorious stories that can be read for sheer pleasure, but that also illuminate how the crime story evolved from the drawing room to the back alley, and how it came to embrace every corner of our nation and every facet of our lives.

Mary Ellen Snodgrass, "Encyclopedia Of Gothic Literature"


Mary Ellen Snodgrass, "Encyclopedia Of Gothic Literature"


Facts on File | 2004-11 | 480 pages |

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From the origins of the movement in the 18th century to contemporary writers such as Stephen King, this A-to-Z guide to Gothic literature covers a vast array of works and writers from Britain and America, as well as a variety of genres - novels, short stories, poetry, plays, and even a few influential films and works of art. The extensive “Encyclopedia of Gothic Literature” thoroughly examines this increasingly popular topic.

Sunday, May 9, 2010

Mary Ellen Snodgrass, “Encyclopedia Of Feminist Literature (Literary Movements)”



Mary Ellen Snodgrass, “Encyclopedia Of Feminist Literature (Literary Movements)”



Facts on File | 2006 | 785 pp |


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An accessible one-volume encyclopedia, this addition to the Literary Movements series is a comprehensive reference guide to the history and development of feminist literature, from early fairy tales to works by great women writers of today. Hundreds of informative A-to-Z entries cover a wide range of works and writers from around the world, as well as a range of genres, including novels, short stories, poetry, plays, and criticism. Focusing on the feminist works and writers that most often appear in high school and college curricula, "Encyclopedia of Feminist Literature" is the definitive resource for this movement. Its coverage includes writers such as Willa Cather, George Eliot, Helen Keller, Anais Nin, and Gloria Steinem; works such as "The Bell Jar", "The Feminist Mystique", "Scenes in the Life of Harriet Tubman", and "The Woman Warrior", characters such as Cinderella, Hester Prynne, and the Wife of Bath; and much more.

Monday, May 3, 2010

Vladimir Nabokov ~ “The Defence”


Vladimir Nabokov ~ “The Defence”



Publisher: G.P. Putnam’s Sons | 1964 | 160 pages



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”The Defence” is one of the major novels by Vladimir Nabokov. The novel describes a chess-genius Luzhin, who discovers his talents in boyhood, rising into the rank of Grandmaster. The Russian title of this novel is “Zashchita Luzhina” which means “The Luzhin Defence”. It was originally written and published in Russian in 1930 and translated to English by Michael Scammell in 1964 at collaboration with the author. Nabokov himself said about this novel: “Of all my Russian books, “The Defence” contains and diffuses the greatest “warmth” - which may seem odd seeing how supremely abstract chess is supposed to be.” Later he described this novel as the “story of a human who was crushed by his genius”.

The Black Book ~ Orhan Pamuk

Snow ~ Orhan Pamuk

Istanbul: Memories and the City ~ Orhan Pamuk

My Name Is Red ~ Orhan Pamuk

1Q84 Book 1 ~ Haruki Murakami

1q84 Book 2 ~ Haruki Murakami

Haruki Murakami and the Music of Words ~ Jay Rubin

Murakami Diary 2009 ~ Haruki Murakami

After Dark (Vintage International) ~ Haruki Murakami

When Nietzsche Wept ~ Irvin D. Yalom

Kafka on the Shore ~ Haruki Murakami

Norwegian Wood ~ Haruki Murakami

Life and Times of Michael K: A Novel ~ J. M. Coetzee

Milan Kundera and Feminism: Dangerous Intersections ~ John O'Brien

Slowness: A Novel ~ Milan Kundera

Borges and His Fiction: A Guide to His Mind and Art ~ Gene H. Bell-Villada

Borges: A Life ~ Edwin Williamson

Collected Fictions ~ Borges

Labyrinths ~ Borges

Baltasar and Blimunda ~ Jose Saramago

The Gospel According to Jesus Christ ~ Jose Saramago

Fantastic Tales: Visionary and Everyday ~ Italo Calvino

The Baron in the Trees ~ Italo Calvino

J.S. Bach: The Art of Fugue

What is /Library of Babel/ {in the process of "being built"} ?


A Digital or Virtual LIBRARY comprising of Free "eBooks" ~ Articles ~ Discussions ~ Posts ~ Links ~ Photos ~ Videos about "AUTEUR" Films ~ FICTION ~ Poetry ~ Arts & Literature ~ Theatre ~ Philosophy ~ Psychology ~ Music ~ Science ~ Culture etc.

Library.Babel
Interests: Schizophrenia, Metaphysics, Existentialism, Autism... Andrzej Tarkovsky... Ingmar Bergman... Fyodor Dostoevsky, Franz Kafka, Jorge Luis Borges, Milan Kundera... M.D. Ramanathan, Kumar Gandharva... J.S. Bach, Wagner...

/Library of Babel/ {in the process of "being built"}

~ The {Title} is taken from Borges' {The Library at Babel} ~

Borges' "The Library at Babel" is a story that encompasses a world. The world that is a library, a library that is a universe broken into endless hexagons connected by stairs and hallways. It's unlike any library that has ever existed, a library of the mind, a virtual library, and as such the source of imaginative illustration. I've encountered pictures of its hexagonal galleries and infinite air shafts on Web Sites, and recently the story was re-published in hardcover with engravings by Erik Desmazieres, who gave the Library's interior a spooky look that I associate with the interiors of Ridley Scott's 1979 science-fiction. Many, of course, would choose to interpret the story in a more philosophical manner. Certainly a case can be made to see the story as a parable about man's search for God, or man's essential ignorance of the world, or of the chaos of the universe. While I acknowledge the story's visual and philosophical qualities, it has a personal connection. It evokes what I would call the large-library experience. Borges' nameless librarian, an administrator of some minor sort - if the library is infinite, all administrators are minor - recollects, "Like all men of the library, I have traveled in my youth, I have wandered in search of a book." Reading this, I think of my own rambles through stacks and shelves both as a student and an unattached "scholar." I've wandered through libraries looking for or just at books, feeling their collective weight, reading titles, puzzling at the cipher of numbers and letters by which they are classified. I have been lost in corridors of books like one drifting through the pinched streets of some foreign town, though indeed these rambles have taken part in and around my home. Books as realia have been part of this attraction. Strolling between shelves of bound volumes, I feel I'm pressed between the scales of some vast and dormant beast. Opened, each book presents a small bracket of hard space and distilled experience that, when joined in imagination with other books, create the sensation of time congealed. Books in vast quantities form a reality greater than the sum of their parts. Unlike museums, whether of science or art, that enfold me in a history of eras and schools and "movements," large libraries point beyond their realia. They go from the tangible to the intangible, from the temporal to the timeless, from the momentary to the eternal. Masses of books suggest the infinite. - Garrett Rowlan

/Library of Babel/ {in the process of "being built"} is dedicated to:

My Eternal Lover & Mentor ~
"Jorge Luis Borges"



/Library Ticket/



I've travelled the World twice over,

Met the famous: Saints and Sinners,

Poets and Artists, Kings and Queens,

Old stars and hopeful Beginners,

I've been where no-one's been before,

Learned secrets from Writers
and Cooks,

All with one "Library Ticket",

To the wonderful World of books.


- JANICE JAMES



The movement of atoms is eternal.


Thrown through the void,
either by their own weight
or by the impact of other atoms,
they wander
until chance brings them together.


Some of them manage to cling together;
they form the most solid bodies.


Others,
more mobile,
are separated by a greater distance;
they form the less dense bodies,
air and light.


Some did not wish to be admitted to any group;
they move around gloriously and endlessly in space,
like dust motes lit up by rays of light in a dark room.

[from Lucretius' De Rerum Natura, recited by Rousseau in La vallée close]



~ This seemingly simple poetry reminds us that every work of Art is relative to the Grand Time wherein it was sprout, and is to be judged thus. We won't/ might not hold a good opinion when we read and consider these lines now, after two decades of Stephen Hawking and 'A Brief History of Time'. This poem was written in First Century BC, by the Roman poet and philosopher Lucretius. Now, do we ought to re-think and re-consider our opinion? Epicurean Physics, atomism, the nature of the mind and soul, explanations of sensation and thought, the development of the world and its phenomena, a variety of celestial and terrestrial phenomena, arguments about God, Lucretius' Physics - everything is here, in these simple lines of poetry ~




Concept & Design:
Library.Babel